Split audio into separate audio tracks as well as keep the same audio format like split FLAC CUE into separate FLAC tracks, split WAV CUE into individual WAV files.Split MP3, FLAC, APE, OGG, WAV, WMA, DTS, MPC, WV, TAK, TTA, AAC, AIFF, AMR, AU, RA, and other popular audio formats as soon as they have a CUE text file embedded within them or have an external.It can easily split all kinds of CUE associatedĪudio into individual audio tracks as well as keep the same audio format or convert to other format with high output audio quality. That’s it! This is a simple, DIY way to implement split cue on just about any mixer or controller at minimal cost.Besides acting as a powerful Video/Audio Converter, iDealshare VideoGo is also a professional CUE Splitter which has both Mac and Windows version. When you’re ready to just hear the full master mix in the headphones, simply bring down the levels of the cued side (or hit the mute button if the mixer has one), and centre the balance/pan knob on the channel producing the master signal. Going back to split cue involves simply moving the balance/pan knob on the master channel back to the right and turning up or unmuting the cue channel. Once I get the mix dialed in and am ready to go live, I will disengage the split cue and run the headphones at full master so I can hear the actual mix in my headphones.īecause this mixer will not have a button/switch to disengage the split cue, a couple more steps just need to be done to switch from split cue to a full master signal. Often when I use split cue, I will have the cued track going a little quieter when split and use that to cue and beatmatch the track. A cue/master knob adjusts the balance between the two (all the way to Master = you’ll only hear the master in your right side all the way to cue, = you’ll only hear the cued track on the left side). In most mixers that have it built-in, split cue is activated by button or switch. So depending on the output, we will most likely want an RCA or 1/4” to 1/4” stereo cable, and a Y-cable from the headphone jack (usually 1/4”, but sometimes 1/8”) to a stereo 1/4” cable. Larger mixers may not be the most convenient option to haul to gigs, but for home use, they’re feasible. In my photos, I’m using a Yamaha MG10XU – which is a little on the large side, but was the only mixer I had available in the studio at the time.įinally, you’ll need some cables to connect the mixer/controller to the line mixer. Most line mixers (including the ones listed above) will have 1/4”/TRS inputs for the balance-controlled stereo inputs. We will be connecting the secondary output from the back of the mixer to the line mixer, as well as the headphone output.Something higher quality (~$150): the Soundcraft Notepad8FX or the Allen & Heath Zed-6 would also work.Under $60: The Behringer Xenyx 502, Mackie Mix5, or the Alto ZMX52 are all small size mixers with the required features.There are several options to choose from in a variety of price ranges: The other key ingredient is an additional line mixer, with a minimum of two stereo inputs that also include balance/pan controls. You might be able to do it digitally if you’re using software with the ability to route the output to your laptop output without latency. If your controller or mixer only has a single output available, this method will not work. Often this is a booth output, but it can also be a second main out or an aux out. What You Need:įor this method to work, the mixer or controller must have at least one additional output. In this article, I’ll detail how to jury rig a split cue functionality into a mixer or controller that does not offer the feature. It is still pretty uncommon to find on controllers (some that have it include higher-end models like the Numark NS6II and NS7III, Denon controllers, the Roland DJ-707M, and the Mixars Primo). While this feature is fairly common in higher-end mixers like DJM-900, Xone:96, and many Rane models, it’s not fully standard across all mixers. Many DJs that still like to beat match by ear prefer this method of headphone mixing over simply using a Cue/Main knob because it offers a true separation between the master output and the cued output – much like you would with a monitor and headphone setup. In a sense, it mimics the traditional monitor/one cup setup entirely within the headphones. the master output is heard in the right headphone cup.the cued track is heard in the left headphone cup.Split cue splits the headphone output into two signals:
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